L.A. Weekly - 2/17/05
Garth Stein’s family-reunion drama follows the familiar plot
structure in which a character, after years away from
tumultuous family life, returns to face demons. In this case
Jones Riddell (a stoic Patrick Gorman) leaves the comfort of
his successful urban life to visit his drunken father, Samuel
(John Ross Clark), and his troubled sisters, Serena (Tricia
Allen) and Eliza (Ongyie Phoeriy), who still occupy a
ramshackle house in the American Northwest. Jones’ British
wife, Sara (Elizabeth Reynolds), offers an outsider’s point of
view on a truly minacious family dynamic. Stein’s taut script
sounds like a less poetic Tennessee Williams, with characters
brimming with intensity. Allen’s gutsy, fascinating portrayal of
Serena evokes the spirit of Blanche DuBois, while director
Tony Gatto pushes his cast to the extremes suggested by the
text — except for Gorman, who is allowed to hold back until he
needs to strike. Christopher Nelson’s ingeniously ugly set has
one worried that the ancient house it evokes won’t last through
the evening’s performance. The entire spectacle moves from
provoking an initial sense of overacting to a final realization of
bravura performances.
-- Tom Provenzano
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