Local Authorpalooza!

Read enough about Alexie, Raban, Guterson, and Robbins? Beyond the usual suspects, the Northwest has a diverse array of authors working in all quarters and genres.

By The Seattle Weekly Staff
March 29, 2006

A Shoreline boy who moved to New York for college and film school, Garth Stein returned home 18 years later with wife and kids two days before 9/11. Talk about good timing. The 2001 move also marked a transition out of film and into print for Stein, who'd spent many difficult Manhattan years working in documentaries. On the side, "I wanted to be a screenwriter," he explains, yet what was supposed to be his breakthrough script instead became his breakthrough novel, 1999's Raven Stole the Moon, a family mourning road-trip saga set partly in Seattle and partly in Alaska, where Stein has relatives.

Wasn't that an odd jump from nonfiction filmmaking to novel writing? "It's all about storytelling," says Stein. "I learned how to construct a story through documentaries." Thus a new career was born, "without realizing how difficult it would be to write the second novel." In New York, his first draft needed rewriting, he remembers, and "two months turned into two and one half years." Recently named a Pacific Northwest Booksellers Association prize winner, How Evan Broke His Head and Other Secrets finally reached print in 2005, earning generally favorable reviews for its tale of surprise fatherhood, epilepsy, and charting a music career. (It's new in paperback from SoHo Press, $13.)

And, during that arduous process, Stein even wrote his first play, Brother Jones, produced last year in Los Angeles. Now also working as a consultant in primary education, he likes Seattle's small and collegial literary community. "In New York, there are no local writers. You're either a big fish or you're chum. I have a feeling that what I'm doing is part of a Northwest school." At present, he's working on two books, one related from a dog's perspective. Instead of young hotshots being propelled to literary stardom in McSweeney's, he sees more of a low-key craftsmanlike approach to writing here—even if that means accompanying a friend and fellow author on the ferry to a reading at Eagle Harbor Books on Bainbridge Island. In a crowd of a half-dozen, a friendly face counts.

BRIAN MILLER